Watercolor paper can certainly be difficult to grasp, as there are so many different types and formats available. You also want it to have some degree of tooth or texture to it, as this will help ensure that water/paint mixtures will be absorbed when placed upon it. This said, when we're planning on using lots of wet-on-wet effects like the ones described in this post, it's best to use a medium (140 lb.) to heavier weight (300 lb.) watercolor paper, as anything thinner will warp and possibly even shred throughout the process. When painting with a water-soluble medium like watercolor, we should use a paper that is intended for this purpose. No matter what kind of painting medium we're using, it's absolutely essential to give thought to what paper or support we'll be painting on before starting a piece as this will directly affect both our painting process, as well as its overall outcome. Paper makes a huge difference when painting with watercolor and can often be the reason why our wet-on-wet effects don't turn out as expected.
Use medium to heavier-weight paper with enough tooth/absorbency It's important for beginners to practice both kinds of techniques, and start giving thought to how they can be used in a particular piece before actually starting the painting process.ġ. By combining them, we're able to create a visually pleasing contrast, bring attention to focal points by adding sharper detail to certain elements, add depth to a piece, and many other things. This principle is essential to grasp and it's important for beginners starting out with watercolors to know that wet-on-wet and wet-on-dry effects complement each other to create beautiful paintings. Opposite to this, when we place a paint mixture on paper that is dry (either because it's a fresh sheet of watercolor paper or because the previous layer has completely dried), the newly placed paint will not expand, leading to sharp looking lines and defined shapes. It's important to understand that this painting technique isn't exclusive to watercolors, but can be used with all traditional painting mediums (watercolor, gouache, acrylic, oils) and it can be used in a variety of ways.įirst and foremost, when working with watercolors, it's essential to understand that when a paint mixture is placed on paper that is wet (either because it has been pre-wetted with clean water or because a previous layer of paint hasn't dried), the paint mixture will expand, creating a blurred out/fuzzy effect. When using these kinds of techniques, we get colors that blend or intermix with each other. Wet-on-wet refers to the act of applying fresh paint onto a wet surface or on paint that is still wet rather than onto a dry surface or a layer of paint that has already dried.
Make sure to check out the video included in this post to see me in action! I'll also explain how to do different effects like blooms, splatters and runs. In today's blog post I'll explain what wet-on-wet effects are, how they can be combined with wet-on-dry effects to create awesome paintings, and a few essential tips to apply when using these techniques. What, exactly, does the term wet-on-wet refer to and how can we use these techniques to create beautiful paintings with watercolor? Do you love watching artists create those awesome washy watercolor effects, but find that things don't end up as expected when you're trying them yourself? I receive small commissions for purchases made through these links at no extra cost to you. These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content.
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